Supervision and Mentoring

Students and fellows supervised or mentored by Alexander Refsum Jensenius. Main supervision for candidate names in bold.

Completion YearNameDegreeDisciplineTitle
2027Hugh von ArnimPh.D.Musicology?
2026Sara D'AmarioMarie Sk?odowska-Curie fellowMusicology?
2026Anna-Maria ChristodoulouPh.D.Musicology?
2026Arthur GuoPh.D.MusicologyAMBIENT
2025Bilge SerdarPostdocMusicologyAMBIENT
2025Maham RiazPh.D.MusicologyAMBIENT
2026Bálint LaczkoPh.D.MusicologyAUTORHYTHM
2026Joanna SulkowskaPh.D.Medicine?
2024Finn UphamPostdocMusicologyBodies in Concert
2024Henrik Haraldsen SveenM.A.Music, Communication & TechnologyCyclic Patterns and Spatial Orientations in Artificial Impulsive ASMR Sounds
?Gaute Dahl Warden?rM.A.Music, Communication & Technology?
?Ahmet Emin Memi?M.A.Music, Communication & Technology?
2024Fadi Al-GhawanmehPh.D.MusicologyComputer-generated maqam music
2023Kristin NordervalArtistic fellowshipOpera, Oslo National Academy of the ArtsElectrifying Opera: Amplifying agency for opera singers improvising with interactive audio technology
2023Mojtaba KarbassiPh.D.InformaticsZRob: Embodied Exploration of Rhythmic Patterns and Emergent Behaviour in Robotic Drumming
2023Kristian WentzelM.A.Music, Communication & TechnologyExploring multi-touch instruments with MPE and MIDI 2.0
2023Henrik Herrebr?denPh.D.PsychologyAttention And Effort In Elite Athletes: A Case Against Automaticity
2023Dongho KwakPh.D.MusicologyMusic for cells? Rhythmic mechanical stimulations of cell cultures
2023Dana SwarbrickPh.D.MusicologyBeing in Concert: Audience Emotion, Motion, and Social Connectedness
2022Laura BishopPostdocMusic psychologyBodies in Concert
2022Rayam SoeiroM.A.Music, Communication & TechnologyVisualizing psychophysiological responses to music stimuli
2022Joni W. MokM.A.Music, Communication & TechnologyCrossmodal correspondence:? different modes, common codes? Investigating music engagement with an ecological cognitive approach
2022Karoline Ruderaas AlbrigtsenM.A.MusicologyLearning to Un-sing: A study of free improvisation vocalists’ ideas, strategies, and techniques
2021Mari LestebergM.A.Music, Communication & TechnologyMicro and Macro:
Developing New Accessible Musicking
Technologies
2021Qichao LanPh.D.MusicologyExploring Collaboration in Computer Music Systems for Live Coding
2021Cagri ErdemPh.D.MusicologyControlling or Being Controlled? Exploring Embodiment, Agency and Artificial Intelligence in Interactive Music Performance
2020Ashane SilvaM.A.Music, Communication & TechnologySonification of Standstill Recordings
2020Agata ?elechowskaPh.D.MusicologyIrresistible Movement: The Role of Musical Sound, Individual Differences and Listening Context in Movement Responses to Music
2020Victor Evaristo Gonzalez SanchezPostdocMusicologyMusic-related micromotion
2019Tejaswinee KelkarPh.D.MusicologyComputational Analysis of Melodic Contour and Body Movement
2019Gaute BarlindhaugPh.D.Music, UiTThe Kids Want Noise - How Sonic Mediations Change the Aesthetics of Music
2019Ximena Alarcón DiazMarie Sk?odowska-Curie fellowMusicologyINTIMAL: Interfaces for Relational Listening – Body, Memory, Migration, Telematics
2019Marcus WidmerM.Sc.PhysicsMachine Learning and Sonification Applied to Fish in Wideband Hydroacoustic Data: Exploring Two Approaches to Classification of Underwater Targets
2018Mads ByeM.A.MusicologyMIDI Polyphonic Expression: A Bridge Between Acoustic and Electronic Instrument Experience?
2018Line-Mathilde EspesetM.A.MusicologyExpressive Intention and Perception of Body Language in Popular Music Performance: Interpretation of the visual communication between the vocal performer and the audience
2018Anders TveitM.A.MusicologyOn using the laptop in improvisation.-Constrained interfaces, engaging instruments
2016J?rgen SkjulstadM.A.AestheticsCircuit bending as an aesthetic phenomenon
2016Bo ZhouM.Sc.InformaticsVideo analysis of music-related body motion in Matlab
2016Mari Romarheim HaugenPh.D.MusicologyMusic-Dance. Investigating Rhythm Structures in Brazilian Samba and Norwegian Telespringar Performance
2016Diana KayserM.A.MusicologyDo We Feel What We Perceive and Perceive What We Feel? A Review of Methods in the Study of Emotions in Music
2016Frank Tj?rhomM.A.MusicologyHvordan underviser man musikalsk improvisasjon p? videreg?ende- og bachelorniv?? – En intervjuunders?kelse av tre hovedinstrumentl?reres undervisningsmetoder sett i lys av forskning innen musikalsk improvisasjon
2016H?kon Bachken EikelandM.A.MusicologySyntetisk musikk: En turingtest av maskinell stilsyntese
2016Mats Bergstr?mM.A.MusicologyAlgoritmisk akkordsegmentering En metode for akkordsegmentering av Bachs firstemmige koraler
2014St?le SkogstadPh.D.InformaticsMethods and Technologies for Using Body Motion for Real-Time Musical Interaction
2013Kristian NymoenPh.D.InformaticsMethods and Technologies for Analysing Links Between Musical Sound and Body Motion
2012Even BekkedalM.A.MusicologyMusic Kinection: Musical Sound and Motion in Interactive Systems
2012Catherine I. St?verM.A.MusicologyFreestyle equipage: an equipage riding to music
2011?yvind HaubackM.Sc.InformaticsTeknologi for sensordata: innsamling til mediespiller
2010Bj?rnar HeggeM.A.MusicologyMellomsanselig groove
2011Roger Stein GradingM.Sc.InformaticsAnalyzing Sensor Data for Active Music
2010Notto ThelleM.A.MusicologyMaking Sensors Make Sense: Challenges in the Development of Digital Musical Instruments
2009Eirik RentonM.Sc.InformaticsCollecting Sensor Data for Active Music
2009Bj?rnar HjelmevoldM.Sc.InformaticsSemiotiske systemlyder
2008Rune FagerengM.A.MusicologyLevende elektronikk: En studie av Eivind Aarsets bruk av gitar og elektronikk i konsertsammenheng
2007Arve VoldsundM.A.MusicologyBrukergrensesnitt for sanntidsdbehandling av lyd: Mapping av sensordata til DSP-funksjoner
2005Trond Christian Fr?haugM.Sc.Media technology, Gj?vik University CollegePublikumsinteraktivitet i konserter

Ph.D. Examinations

Member of the following PhD dissertation committees:

  • 2026: Martin Pleiss, UiO
  • 2025: Olof Misgeld, KTH/KMH
  • 2024: Victor Paredes, IRCAM/Sorbonne
  • 2024: Hans Lindetorp, KTH/KMH
  • 2024: Nima Darabi, NTNU
  • 2024: Jillian Beacon, University of Ottowa
  • 2023: Courtney Reed, Queen Mary University of London
  • 2022: Merve Akca, University of Oslo
  • 2022: Notto Thelle, Norwegian Academy of Music
  • 2021: Amelia Turrell, University of Kent
  • 2021: Jeppe Veirum Larsen, Aalborg University Copenhagen
  • 2021: Karen Cochrane, University of Sydney
  • 2017: Stella Paschalidou, Durham University
  • 2017: Federico Visi, University of Plymouth
  • 2014: Frank Havr?y, Norwegian Academy of Music
  • 2014: Birgitte Sandve, University of Oslo
  • 2011: Risto Holopainen, University of Oslo
Published Feb. 1, 2021 10:57 AM - Last modified Feb. 24, 2026 11:07 PM